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Guide to live
worship recordings
- Wale Adenuga
Over the past one
year, I have been inundated with several requests for
appointments with respect to advising on how to do a
successful live recording. I do feel like a big boy! We
now have the experience, right?! Oscar Wilde is quoted
as saying “experience is the name we give our mistakes”
That’s just it. I will like to share our experience in
that light so that you won’t make the mistakes we made
if you intend to go on that route.
It’s easy for me to say now that
doing live recordings are not a big deal. I recall the
goings-on at Hope Hall, Surulere in December 2000 when
we were recording
Of a truth.
But four live recordings later, I can say that with God
on one’s side and with knowledge of the basics, recording live can be a glorious
experience
Why do you want to record
live?
Our answer to the above question was
based on the kind of songs we wrote and our worship
experience in our local assembly. The songs we wrote and
continue to write even now were of the praise and
worship genre.
And since the late eighties, most of the music I
have listened to has been from Integrity, Maranatha and
Vineyard Music. That was a major influence for me and people like Dehumo Bickersteth [our producer] and my
friend Theophilus Emmanuel with whom I constantly
bounced ideas back and forth in the mid nineties.
We had done two studio recordings
Surely as my God lives [1997, out of print] and
Hosanna
[1999]. Both of these recordings were great but we
felt it didn’t adequately express the potential and
passion of our songs and style.
What have you got?
Songs. But it’s got to be more than
that! In line with Matt Redman’s song
Heart of worship,
it should be a situation that is reminiscent of bringing
God more than a song. We aim to make every recording an
experience. Dehumo, who has been our producer from the
start is always particular about presenting the songs in
such a way that will not intimidate anyone.
I have always been responsible for
which songs end up on all our recordings ultimately. In
so doing, I liked to include confessions,
testimonies, prayers and recitations to accentuate our
expression of worship. A live worship recording in my
opinion should be an aggregate of expressions of worship
that have adequately worked in church, that is in terms
of providing a refreshing to people.
I have noticed that most loved live
recordings have an evergreen nature about them. It almost seems to
never go out of fashion. Left to me,
Of a truth
would never have been released. And that’s because till
today, I hear all the mistakes we made. But the truth
is, we’ve sold hundreds of thousands of this recording
[not counting the ones the pirates have sold] and it’s
still selling fast. I can tell you this, it’s not
selling that much because the music is tight, there’s
just a God factor involved.
Who have you got?
The thing with doing a live recording
is that you have to get a lot of things right on the day
of the recording. You can’t do another take like you
would do in the studio. Of course you can do over dubs,
but then it becomes tricky when you are also doing a video
recording of the concert. Everything must be in sync otherwise, it
would seem fake. So it requires lots of rehearsals so
that even if you do overdubs it will be for things like
backing vocals, bass lines and the like.
Good singers. Don’t let your
girlfriend sing on the recording if she can’t sing. Go
for the best that’s available. We’ve worked with other
church choirs and even groups like Lagos Unity Mass
choir. The musicians must be tight but must also have a
heart of worship. Tosin Odumosu and Bimbo Olatunji who
have become a standard feature on our recordings are not
members of our choir.
All said and
done, the key
person you need is a producer. Current hit Songs like
Lagi mo, Igwe, Mo fe ran Jesu gan
are a reflection of the quality of producers engaged by
the artists that sang these songs. A producer is not
just somebody who can sequence music on a keyboard. A producer
according to
Wikipedia
is someone who can be compared to the
film director, in that the producer's job is to create,
shape and mold a piece of music in accordance with their
vision for the album.
Once I gather the songs we need for a
recording, I mail them to my producer, Dehumo who lives
in faraway Singapore. He then molds each song. I don’t
say to him "this is the way the song
must be done because that’s the way God gave me!" I
always tell people who say songs must be performed in
the “very way God gave them” should prepare to sell just
3 copies of their album – and that will be to God the
Father, the Son and the Holy Spirit. If only they knew
that God never gives us finished products!
Technical support
The company you choose to do your
recording is very critical to the success of the
recording. The know how, track record as well as the equipment they
have is of paramount importance. That said, things can
go wrong on the day of the recording. I recall when we
were recording Of a truth, one of the ADAT recording machines stopped working. And
the engineers were waving frantically from behind asking
us to stop.
Our guest artists, Panam Percy Paul must have spent
another half hour talking on what I can’t recall now.
Everybody enjoyed it. They didn’t know something was
going wrong. Of course we cut out that “speech” from the
recording.
We’ve worked with two companies in
terms of live recording and both are exceptional in the
passion they bring to the table. These companies are
Praise Foundation and
Frontier Reelmix.
We have meetings again and again going over how many
singers, which instruments we need, stage layout and so
on. And of course, the budget! We go over that a lot of
times. We try and get the best price possible. What
compromises can be made without discounting quality?
What do I mean? Let me give you an example. Say Praise
Foundation gives us a quote of N750,000 and that
includes the cost of renting backline equipment –
keyboards, bass guitar, congas etc. If you have these,
the cost can be discounted and then you would provide
these as long as they are great working condition.
Aside from
You are the only
one recording, we’ve always had our own
recording engineer in place. That’s been Monday Williams
and all he does is monitor the output from the sound
guys and the input into the hard disk we are recording
into. Monday has also been responsible for post
production mixes of all our live recordings save
You are the only one
Will you be doing video? That needs
proper planning as well. Have you watched the video of
Worship by
Michael W. Smith? Or
Blessed by
Hillsong? We contracted
Image Extenzion
to handle video recording of
You are the only One and I can say our expectations were met.
The resulting
video must be the recording of an experience that
inspires people to worship. This means the director
knows what to look out for and when to look out for it.
Prayers
So many things to pray for. We always
pray that God be present and that we will end up with a
recording that will cause people to have encounters with
their Redeemer. And that has happened and God has
confirmed this with each recording with signs following.
For example, recording
Too much for me
was a humbling experience for us all. We were all broken
because of some traumatic things that happened days
before the event. So we just abandoned ourselves into
God’s hands. We were broken, depressed and in debt. But
during that concert with a seemingly disappointing
attendance, God healed someone of Pneumonia .
A gentleman called our office and
remarked how he had listened to
You are the Only One CD repeatedly for days. It had brought him
the needed comfort, joy and strength while his wife had
a stroke and was in coma for 2 weeks. Now she’s Ok and
I’ve actually spoken with them a couple of times. For me
if that’s the only reason we did the recording, that’s
fine.
Everytime we have a recording, we
have huge budgets and we always end up asking ourselves
who asked us to venture into such tasks. But God meets
those needs.
Well I do hope all I have shared will
help you somehow in your quest in recording a worship
experience that will bless people.
You can read
Wale's blog
http://waleadenuga.wordpress.com/
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